This will be the arena to showcase various things
from the Satan's Scrotum (Frankenstoner)
PRO STUDIO
Driving Thru Gary!
album
Frankenstoner - real drums, real guitar, real bass, real vocals. One man band.
Pro studio version started in 2004 in the murder capitol of Cleveland in the winter, in an abandoned wharehouse that was beautiful studio inside for $35 an hour at the illuminati Jimmy Hendrixs cousin studios. This studio had an all seeing eye and pyramid in their logo. We didn't pay attention or know what that was until like 2007 or something. Saw the studios logo in a picture Frankenstoner took in the studio and video footage he took on the inside of the studio randomly in like 2008 or something, after we started watching Alex Jones long ago. Alot of crap ass black rappers and 50 member church choirs recorded at this studio, in the hood, lol. Lo-fi demo versions of the album started in 2001. Writing of songs started in 2000. Now to mention another fucking studio we went to 100's of miles away, also had a pyramid in their logo? WTF? is up with studios and the pyramid? Ran into 2 studios like this now. WTF much? I'm just here to fucking record an album mayne, not re-erect the pyramids of Egypt or some shit within someones home studio in the ghetto, lolololol. It's enough work to be a "one man band" and pay for all this studio time in "cash only." No one has to pay any taxes, when I'm around. I hooked all these niggers up & they all ripped me off for my efforts!
By this point this album is a doctrine, you're new fucking bible since it all started in the year 2000, and at this point it basically depicts how Frankenstoner is the dictator of this whole entire USA, and is the only guy left with any real intelligence. This album will be the wake up call since Frankenstoner is such a prophet that predicted all of this shit in 2010, 10 years in advance. It's not hard to figure out the mystique of politicians however, but I guess no one has any common sense anymore, and the mainstream is blindsided by ZoG, politics, war, mass media, banking, religion, and barely anyone can think for themselves. Hard for Frankenstoner to realise sometimes, but it is true. Frankenstoner looks right into peoples eyes, and they seem real, but then he realises later there is NOTHING THERE. Nothing going on in anyone he meets. Nothing but hot air. Nothing but "false ego". Nothing but sadism. Nothing but false front. Nothing but fake. No intelligence. No soul. No thinking capabilities at all. Just complete fodder. People are self-enslaving empty fucking shells. Hot air inside of flesh bodies.
I decided to experiment on vocals for this album v.s. doing my almost typical style how I did them in the past, which is also hardley conventional. No one got that style, because the Mainstream is so blind-sided, dull, used to pure shit frequency, this time around, we decided to become even wierder & more mentally insane than you ever thought possible before. If you didn't get us in the past, you surely WON'T get us in the future, it's just starting to get interesting. We put so much time and effort into this one album that now we're doing the vocals quick as fuck, sloppy & in one take, experimenting, seeing what happens, and releasing it, w/o care. It's been sitting around for way to long. We have lyrics to alot of the songs, and you'll notice on this new alien version, we did complete improv, and on Rotting even, we didn't even say most of the lyrics, we had for the song, that are very tight lyrics. We just whispered some of them, called the audience a bunch of faggots, and recited unintelligable, uncoherent alien jibberish during the rest. I bet we'll win a grammy. We recorded it in 2002, then in 2003 2 different times, one version for free download, one version, you basically never heard. Then in 2004 in the pro studio (Constitution) is an example @ the illuminati studios in Cleveland, yet it was just re-mixed in 2010, therefore it's not exactly like it was in 2004. We recorded it again in 2006 in Long Island, NY, this fucking shithole where the kids were all junkies with 90 grand inheritances, and they wouldn't flip us $3 for a fucking Satan's Scrotum CD. Total fucking filth. So we cared about this album so much, and the 2006 studio guy ripped us off again. The 2004 studio guy ripped us off. We re-mixed a few other tracks in 2 other studios in completely different areas, in like 05 and 07 respectfully. We will also post the results. This album was recorded across a 1,000 mile radius in
8 different areas and counting. It will soon be re-mixed by someone else within about a 1400 mile radius in the USA, making it the 9th studio since 2002 to sink their teeth into this album or a various version of it. This album has at least 15-20 grand invested in it now w/o even blinking an eye. At least 1000 DIY Copies distributed by now, downloads, comp CD's, etc. Tons of brutal work ethic went into self-promoting this CD in various incantations. This is LEGENDARY. Driving Thru Gary! is your new fucking Bible of this new fucking Millenium. So it would make sense that you are suppossed to literally Drive Thru Gary! when listening to this album for it to make sense. It's a vex hex, a non-existant puzzle. This album started in the fucking murder capitol, has had at least 5 different band lineups from different areas w/o even blinking an eye, has been performed in dive bars of the worst kind imaginable where t-rists, drug runners, and prostitutions were deported. Driving Thru Gary, couldn't of even predicted or prophecised in advance, with Frankenstoners E.S.P. telepathy that it would actually COME TRUE in advance like this. This is pure fucking gutter-core from the fucking murder capitol to the fucking bone! The New Sharp-End Mainstream! Pure fucking ATWA-R-Clown-Core, Pure Fucking Cryptic Clown Blues from the Fucking Murder Capitol.
Why/How did the studios rip me off? You said you wanted evidence & you think I'm full of shit & you don't believe me. Well fyi, The studio in Cleveland, I asked 10 times now before they shut down and went out of business for my FUCKING MASTER FILES & I even paid $60.00 extra for them after I already paid $1500.00 cash approx to the studio for my $35 an hour time. Luckily, when I went back for re-mix I know someone that worked for the studio and I coerced them to give them to me "Under the table" after we worked long hours, another like 12 hours straight at least, mixing the album. Somehow they managed to burn them onto DVD that time and they were in wierd ass SD2 files that were even weirder, because this studio used some wierd system with a MAC pro tools, then the year during my album, they switched over to another system, and somehow had to transfer my master files, onto a new system, that now, de-aligned my tracks. I had to pay extra, to sit down with my producer for 12 hours and re-align them all first. So that was essentially hours on the clock x $35 an hour, for the studios negligence. I believe in tit for tat. I walked out with my Master files (I still didn't know what I was going to get, because the engineer didn't know what she was doing, and there was a chance I would drive hours and hours back home, and still end up with nothing, and still pay another $60 for my MASTERS, which I did end up doing, and NEVER GOT THE REAL MASTERS on top of it. So I got these wierd files, that I COULD NOT OPEN for years since, until I figured out how to convert sd2 files, to .wav. Fuck Pro Tools & Jerry Soto was the master of this. He used cool edit pro or some shit, lol, he said FUCK PRO TOOLS. They make you pay $30,000.00 usd per year to update their system or some shit, which was the route this "illuminati studios" was on, and that's why their prices were like "everything about money money money." they had to make so much just to meet their bottom line. I greatly helped them out, but they went out of business anyway. Never the less, THE STUDIO NEVER SENT ME MY MASTER FILES, AFTER I ESSENTIALLY DONATED ANOTHER $60 TO THEM & I KEPT CONTACTING FOR YEARS AFTER, THEY DIDN'T TELL ME THEY WENT OUT OF BUSINESS OR NOTHING! If I wouldn't of BROKE THE RULES, AND SELF-COERCED MY "ASIAN GIRL" ENGINEER to break the rules, and give me the MASTERS that very day, and coerce her to stay overtime and make no more money off the clock, I WOULD OF HAD NOTHING! And when converted, alot of my "vocals are missing" and "kick drums" are missing, and "tracks" in the version I got like I figured something would go wrong, because it always does in these pro studios. So now I'm re-mixing tracks in 2010 off these 2004 studio files, and I'm adding "kick drums" in from other songs, and I have WAY LESS VOCALS PER TRACK, THAN I ORIGINALLY STARTED WITH. I DID VOCALS 6 HOURS STRAIGHT IN THE BOOTH ONE DAY, AND RIPPED MY VOCAL CHORDS TO SHREDS, UNTIL I WAS POURING STEAMING HOT WATER DOWN MY THROAT IN AND OUT OF THE BOOTH, AND COULDN'T TALK, AND MY VOCAL CHORDS WERE SHREDDED, ONLY TIME IN MY ENTIRE LIFE I EVER DID THAT, SCREAMED FOR 6 HOURS STRAIGHT, AND AS IT TURNS OUT, I PAYED $60 TO GET MASTER FILES UNDER THE TABLE IN ADVANCE ANYWAY, AND 1/2 OF MY VOCALS WERE MISSING, IN THEIR MAC TO NEW SYSTEM TRANSFER OF THEIR ENTIRE STUDIO DURING THE YEAR OF 2004. ON TOP OF THIS, WHEN I RE-MIXED THEM 2 SONGS, "HATE TO LOVE" AND "CRACK RAMBLE" WITH CLIFF BURTON, IN HIS HOME STUDIO IN 2007, THE MASTER METAL PRODUCER, THAT PRODUCES SHIT FROM HIS HOME COMPUTER STUDIO, BETTER THAN RELAPSE RECORDS STUFF, WHO IS A PROFESSIONAL MASTER MUSICIAN, TOLD ME, WHOEVER RECORDED THESE 2004 STUDIO TRACKS, OBVIOUSLY DIDN'T KNOW THE FIRST THING ABOUT RECORDING, OR ENGINEERING, AND THEY RIPPED YOU OFF SO BAD, YOU PAYED $1500.00 FOR THESE "AMATEUR RECORDED TRACKS." THEIR LIKE MAXING OUT, ON EVERY TRACK, AND THEY DIDN'T KNOW HOW TO SET VOLUMES OR MIC ANYTHING. IT WAS THAT ASIAN GIRL WHO WENT TO 4 YEARS OF A HUGE COLLEGE FOR ENGINEERING, AND THEY DIDN'T TEACH HER SHIT, AND SHE WAS INTERNING AT THE STUDIO FOR LOW CASH, AND THE HEAD OF THE STUDIO WAS RIPPING HER OFF, ETC. THE WHOLE THING WAS SOME HUGE ILLUMINATI SCAM, WHICH FIGURES, AFTER LISTENING TO THE ALEX JONES SHOW IN LATER YEARS, I NOW KNOW WHAT WAS GOING ON HERE. WHEN I HAD NO FUCKING CLUE IN 2004, OBVIOUSLY, I WAS FUCKING NAIVE'.
LONG ISLAND, NY STUDIO RIPPED US OFF, BECAUSE HE SAID "FREE" ORIGINALLY. I HAD TO GET BACK. I SAID CAN YOU JUST MAIL ME THE MASTERS ON DVD? THIS LITTLE TWO-FACED PRICK, SAID YEAH SURE, I UNDERSTAND. THEN I GOT BACK 1000'S OF MILES HOME, AND HE GOES, "SEND ME $100 BUX OR ELSE I FUCKING BREAK THE DVDS." LOL WHAT A LITTLE DOUCHE DILL HOLE. I SENT HIM A $100 DOLLAR MONEY ORDER, AND THIS GUY WAS SO FUCKING STUPID, PEOPLE ON LONG ISLAND ARE, HE TOOK THE MONEY ORDER TO A BANK, AND COULDN'T FIGURE OUT HOW TO CASH IT. FOR TWO WEEKS, I FOUGHT WITH HIM, SAYING IT'S GOOD, IT'S YOUR CASH BITCH, CASH THE THING. HE'S LIKE SEND ME ANOTHER 100 BUX, OR ELSE I BREAK THE MASTER FILES. I SAID NO, CASH THE SON OF A BITCH, IT'S GOOD. FINALLY HE FIGURED IT OUT, WEEKS LATER & I'M LIKE DUH. THIS IS WHAT I'M TALKING ABOUT, WHEN I TELL YOU LONG ISLAND, NY IS THE SHITTIEST PLACE, I'VE EVER BEEN. NO ONE KNOWS JACK SHIT HERE. IT'S A HUGE WORTHLESS, FILTH-HOLE, WASTE OF FUCKING TIME.
THE GUY THAT SET ME UP WITH THIS STUDIO WAS A RETARD ALSO, WHO I WILL KILL.
SO I HAD THE GUY MAIL THE MASTERS TO ANOTHER STUDIO IN WHERE I RECORDED THE 2005 RE-MIX OF ANTI-ABERCROMBIE FOR LIKE $25 AN HOUR OR SOMETHING, ANOTHER HOME STUDIO, WHO WAS A COOL GUY, BUT AROUND THIS TIME, I JUST GOT SICK OF ALL OTHER STUDIOS, PERIOD, AND I VOWED TO STOP GOING TO THEM COMPLETELY UNTIL I FIND A FULL BAND OF DEDICATED PLAYERS, THAT ARE ALL CHIPPING IN THE EXACT FUNDS FOR THIS NEW ALBUM WE RECORD IN THE STUDIO, AND ARE WILLING TO PUT THE TIME IN TO JAM WEEKLY, AND GET SO TIGHT AS A BAND, SO NO OFFENCE TO HIM, HE WAS ACTUALLY COOL, AND ACCOMODATING. BUT THEN THE US MAIL FUMBLED FOR THE FIRST TIME EVER FOR ME, GO FIGURE, WHEN IT'S SOMETHING IMPORTANT, BECAUSE I FINALLY TOLD THE NEW STUDIO DUDE, OR 2005 STUDIO DUDE, RATHER, THAT I'M DONE WITH STUDIOS, PLEASE SENT ME THE LONG ISLAND, MASTERS TO ME NOW, IN MY NEW LOCATION. HE AGREED, AND SAID THAT'S COOL MAYNE, SEE HOW COOL HE IS, BUT THEN THE POST OFFICE FUMBLED, AND SENT THE MASTERS BACK TO HIM FOR SOME REASON, OR HE WROTE THE ADDRESS WRONG, THE PACKAGE WAS MAILED BACK TO HIM. I VOWED TO PICK IT UP FROM HIM IN PERSON, BUT FINALLY I GOT THE THINGS IN THE MAIL, FINALLY BY LIKE 2008. THEY WERE RECORDED IN SUMMER OF 2006 AT THAT SHITHOLE STUDIO IN LONG ISLAND BY THAT PIECE OF SHIT. SO NOW THE PROBLEM WAS, THEY WERE ALSO IN SD2 FILES, AS IT TURNS OUT. I HAD TO CONVERT EVERYTHING TO WAV, AND RE-ALIGN EVERYTHING BACK UP. IT TOOK WEEKS. EVERYTHING WAS OUT OF ALIGNMENT. THE WAY WE RECORDED THIS 2006 ONE, WAS LIKE A CASSETTE TAPE, IT WAS SUPPOSSED TO BE RELEASED GUARANTEED BY THIS SHIT ASS LABEL IN GERMANY, BUT THEY BACKED OUT ON THE RELEASE FOR THE GAYEST REASON EVER. THE GUY THAT WAS AFFILIATED WITH THE LABEL SAID OVER AIM, THAT I SAID THE LABEL WAS GAY. WHICH WASN'T TRUE AT ALL. THEY BELIEVED HIM, AND WHEN I WAS TALKING TO THE LABEL ON AIM ONE DAY UNDER HIS SN, THEY THOUGHT I WAS HIM, BUT I WAS ME, AND I SAID I WAS ME, AND I WAS JUST SAYING HI WAS MY ONLY INTENT. THEY TOOK OFFENCE TO THIS FOR SOME REASON? I COULDN'T FIGURE IT OUT, AND I DIDN'T CARE, BECAUSE WHEN YOU ARE DEALING WITH TWO EX SKINHEADS ON TOO MUCH ACID, AND THAT ARE SHIT-BUMBS, AND THE GUY THAT WAS AFFILIATED WAS THE WORST PIECE OF SHIT EVER, YOU KNOW IT DOESN'T PAY TO CARE ABOUT THESE PIECES OF SHIT. NAPALM THESE INFESTATIONS.
2006 LONG ISLAND, NY (also around 21 songs, not all finished or shown yet, maybe never shown, demos, still experimenting with wierd improv vocals on the album, and changing it's styles, from how we would of originally did the vocals in 2006 at the studio if things didn't go down like they did.)
1. Rudimentary Peni Punk Song
2. Political Punk Song
3. Rotting
4. Fuck Fuck Fuck Fuck Fuck Fuck Fuck Fuck Fuck The Pope
5. Free Money Theme Song
6. March of the Clown Zombies
7. Crack Ramble
8. Smoke Some Crack Until You Die
9. Shut Up!
10. Driving Thru Gary!
11. Clown Blues
12. Pussy Thunder
13. Crack Bride
2004 CLEVELAND ILLUMINATI STUDIOS, C-murder captiol (21 songs - not all shown here)
14. Constitution (Howard Stern Show, 2005 (SHR=) comp CD, Unconstitutionalism in the USA)
15. Free Money Theme Song
16. Driving Thru Gary!
17. Rotting
18. Army Navy Surplus Store
19. Welfare Crackhead Procreation
20. In A Hearse (Howard Stern Show, 2005 (SHR=) comp CD, Unconstitutionalism in the USA)
21. Tambo Ain't No Rambo
22. Fresh Cumshot
2005 Re-mix @ cool guy studios Chicago
Anti-Abercrombie
2007 Re-mix by Cliff Burton himself home computer studios
Hate To Love
Crack Ramble
2010 re-mixes by Frankenstoner himself
1. In A Hearse (missing vocals from the 2004 session)
2. Constitution (missing vocals from the 2004 session)
3. Tambo Ain't No Rambo (since our kick drum and vocals were missing, we added kick drum from another song off a 2005 studio album at another pro studio, and
blended and edited it a bit in some parts. It sounds very "limb independence, free jazz, embellished, all over the place, wherever we feel like it."
2005 Recorded at another pro quirky pyramid studio $35 an hour, spent like $5000 there cash on Dark Vanity Acid, Ritual Static, & Satan's Scrotum albums
Crack Ramble 666 (Nugz drums 2005)
WE HAVE ALL THE MASTER FILES FOR ALL THESE ALBUMS IF YOU WANT TO RE-MIX THEM. FOR ALL THESE ALBUMS. THE 2004 PRO STUDIO ALBUM IN CLEVELAND IS MISSING ALOT OF VOCALS, AND A KICK DRUM IN A COUPLE SONGS, MAYBE ONLY ONE SONG. THE BASS, GUITAR, DRUMS ALL 9 TRACKS WORTH DIVIDED, AND VOCALS ARE THERE, BUT ALOT OF THE VOCALS ARE MISSING. 2 songs also are missing. Driving Thru Gary 2004 is definitely missing FOREVER! What you hear is locked in it's eternal form. It's a good thing we liked it for the most part, but we wanted to tweak the drums and see if we could make them louder, or do other re-mixes with it. But NO, Thanks to illuminati studios that WILL NEVER HAPPEN, it was randomly deleted, and didn't show up in our "under the table" master files we copped at midnight from the "asian gal" intern, because the owner of the studio who know the owner of Apple Computers or some shit, wasn't ever at the studio except for 1 time, and he tried to sell me a bunch of other shit, Like CD dupilication of 400 copies, album art, Mastering at like $90 an hour, bunch of shit, I didn't want! and asked me if I was angry because he heard me screaming for problably an hour straight, out of the 6 total hours I was screaming! I CAN TELL YOU HIS
PROPHECY CAME FUCKING TRUE, BECAUSE YES I'M ANGRY, AND I'VE BEEN EVEN FUCKING ANGRIER SINCE I WAS COERCED INTO THIS STUDIO, BECAUSE A MASTER VIOLINIST, I USED TO JAM WITH, THE ASIAN GAL, WAS HIS GF! AND HE'S LIKE MY GF INTERNS AT THIS AMAZING STUDIO UP IN CLEVELAND BRO, AND YOU GOT TO GO THERE DUDE, IT'S SO AMAZING, AND SINCE SHE'S THERE, YOU'LL GET IT FOR FREE, AND ALL OF THIS. WHEN I GOT THERE, AND STARTED RECORDING, THE ILLUMINATI INTERN GUY JUMPS OUT AND SAYS IT'S $35 AN HOUR BRO, IT'S DEFINITELY NOT FREE! THIS VIOLINIST WHO NOW HAS HIS PH.D. IN FUCKING VIOLIN, WAS THIS HORNEY AS FUCK, SUPER PUSSY WHOOPED, ALL OVER THE PLACE, NAIVE', MEET EVERYONE IN THE WORLD, TYPE OF GUY. I SHOULD OF KNOWN! I GUESS THE WORD IS "PUSHOVER?" I DIDN'T EVEN FUCKING KNOW WHAT THAT FUCKING MEANT EITHER, UNTIL I MET TWO GIRLS, I TRIED TO GET WITH, AND IT TURNED OUT THEY WERE "PUSHOVERS" AND I HEARD ABOUT THAT "WORD" YEARS LATER, AND I WAS SCREWED OVER BY THESE GIRLS, AND 3 OF THE SONGS ON THE ALBUM ARE ABOUT ONE OF THE GIRLS. "SHUT UP!", "HATE TO LOVE", AND "FRESH CUMSHOT" IS ABOUT THIS ONE CHICK FROM 2000-2001 THAT I COERCED INTO "PLAYING DRUMS". SHE NEVER PLAYED ONCE IN HER LIFE. SHE BOUGHT A SET, CUZ OF ME, WAS ALL GUNG HO ABOUT IT, AND STARTED JAMMING! I HAVE A RECORDING OF US JAMMING IN A STORAGE SHED IN THE WOODS IN THE STICKS AT NIGHT ON CASSETTE TAPE FROM AUG OR SEPT OF 2001 MOTHERFUCKER! I'LL NEVER RELEASE IT! AND ON THE OTHER SIDE OF THE TAPE IS RITUAL STATICS VERY FIRST JAM, CALLED SATAN'S SCROTUM ORIGINALLY FROM OCT OF 2001! WORTH MORE THAN YOUR FUCKING JNCOS JEANS WEARIN WHIGGER LYFE BRA! FOR SALE FOR $5 MILLION IN GOLD BARS + 1 MILLION IN CASH!
8 DVD DATA DISCS HOUSE MASTER FILES FOR (RE-MIX ARTISTS)
WE HAVE EVERYTHING LINED UP, IN A PROGRAM CALLED SONIC FOUNDRY ACID 4.0.
WE USE A SIMPLE ASS PROGRAM SINCE 1997. WE CAN'T FIGURE OUT CUBASE, AND OTHER
PROGRAMS. WE RAN OUT OF PATIENCE LONG AGO, SO WE USE CRAP ASS PROGRAMS.
MOST OF OUR MUSIC VIDEOS THESE DAYS ARE DONE IN WINDOWS MOVIE MEDIA MAKER.
WE USED TO USE "IMOVIE" WHEN WE MADE PUBLIC ACCESS SHOWS, AND A FULL LENGTH
82 MINUTE FILM, ON A MAC, DOWN AT PUBLIC ACCESS CHANNEL. HAVEN'T USED IT
IN YEARS!
WHAT'S ON THESE 8 DVDS? TRACK BY TRACK FILES FOR THE DRUMS ALL DIVIDED MIC
BY MIC, GUITARS, VOCALS, BASS, SYNTHS ON THE DARK VANITY ACID STUFF
DARK VANITY ACID - THE NEW ALBUM (2006 STARTED IN ANOTHER PRO STUDIO)
SATAN'S SCROTUM (FRANKENSTONER) - DRIVING THRU GARY 2004 (CLEVELAND)
SATAN'S SCROTUM (FRANKENSTONER) - DRIVING THRU GARY 2006 (LONG ISLAND)
SATAN'S SCROTUM (FRANKENSTONER) - GRIND AS FUCK (2005, NUGZ DRUMS)
SATAN'S SCROTUM (FRANKENSTONER) - GRIND AS FUCK (2005, FRANKENSTONER DRUMS)
SATAN'S SCROTUM (FRANKENSTONER) - TAKING THE SLOW BOAT TO GARY (3-SONGS)
PLUS MORE EXTRAS!
THE FIRST RITUAL STATIC ALBUM - INJECTION CONTROL FROM 2004, THE MASTERS WERE NEVER SAVED! WE WERE
NAIVE AND STUPID BACK THEN! THE MIXED ALBUM YOU CAN FIND ON ARCHIVE.ORG
IS LOCKED IN STONE IN IT'S ETERNAL FORM!
WE WANT OUR FUCKING MONEY BACK!
BUY OUR BOX SETS IS A GREAT START!
WE HAVE 3 BOX SETS WITH 100 CD'S ON THEM, WITH FUCKLOADS OF OUR MUSIC, 100 CD'S
80 MINUTES EACH CD JAM PACKED WITH THE ENTIRE "UNDERWORLD" ON IT. $800.00 EACH, CASH! & OTHER CASSETTE TAPE BOX SETS FOR $100.00 CASH EACH. THIS WILL
HELP US GET SOME OF OUR MONEY BACK FOR THESE G'S BLOWN DOWN THE DRAIN, TO
BE SCREWED AND RIPPED OFF!
http://www.youtube.com/shrdictatorship
http://www.youtube.com/cjandstepdaddy
http://www.youtube.com/frankenstoner
http://www.youtube.com/geninternetslave
http://www.youtube.com/eastcoastrapist
ADS HERE!
P.s. the same week we were in Long Island, barely getting ripped off, we went to Jersey and met another guy at his home studio, and we got ripped off here also! We recorded a Satan's Scrotum song, off a top secret album, never released yet, at his home studio, on them electronic drum sets, with the guys in Aliment, Jason Sensation, and Spick, and Frankenstoner, and 1 year goes by it's 2007, we never got the master files. Not a huge deal, but it's still noteworthy, because when we go to the east fucking coast, we end up funding the economy there, and get no support in return, we end up sleeping in fucking parks, because no one will let us stay with them out there. So it was $75 bux, and it was cool cuz Spic and Jayson Sensation each paid $25, but it's like how fucking stupid are these people? The song wasn't completely done yet, and I had to leave for my 1000's of miles trips, Jason Sensation acts important when he had to drive 2 hours for the first time in his entire life, he's like "dude i'm kind of busy now, bro I got a 2 hour drive ahead of me." I drove to Jersey 3 fucking times now in 6 years, and it's like 18 hours and shit! Fuck THESE ASSCLOWNS! I YELLED AT THEM LIKE HITLER ON MY LAST TOUR, LIKE A DICTATOR I ROSE TO POWER ON THESE SUCKERS! SO $75 DOLLARS THIS CAT GOT, AND HE DELETED OUR SONG, AND MASTER FILES! NOTHING TO SHOW FOR IT! THE SAME WEEK WE WERE ALSO RECORDING IN WEAK ISLAND, NY. $75 CASH, WASTED, NO SONG, NO MASTERS, NO EVIDENCE, NO RESULTS, NO NOTHING, JERSEY! AT LEAST SPICK HELPED GET US THAT MANSION STUDIO, ANOTHER GUY COMPLETELY IN THE HUDSON RIVER, ANOTHER HOME STUDIO, DIFFERENT FROM ANY OTHER ONE I'VE EVER BEEN, IN A MANSION ON THE HUDSON, AND WE RECORDED "HUMAN SPAM - PARANORMAL GHOST FUKKING" MAY 2010, FOR FREE BITCH! AND I GOT SONG ACTUALLY! AND IT'S ON FUCKING YOUTUBE, RELEASED IN AUSTRALIA, AND ON ARCHIVE.ORG ALREADY! I WASTE NO FUCKING TIME GETTING THIS SHIT ALL OVER THE FUCKING WORLD, WITHIN DAYS, OF ACTUALLY "WINNING WITH STUDIOS, V.S. LOSING!" HUMAN SPAM IS SPREADING LIKE FUCKING WILD-FIRE, SINCE IT'S RELEASE IN 2010!!
Stevie Hayes Records
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